4 October–23 November, 2024
6 Minerva St
For her forthcoming exhibition Fan Fiction at Soft Opening, Olivia Erlanger continues her ongoing research into appliances, presenting four large-scale ceiling fan sculptures whose blades have been altered to resemble butterfly wings.
Camden Art Centre is proud to present a solo exhibition of work by Nicola L. (1932-2018). Often celebrated in the context of Pop Art, Nouveau Realism, Feminism and design, there has yet to be an in-depth exploration of the multi-layered and expansive nature of her practice which ranged into cosmology, environmental concerns, spirituality, mortality, sexuality, soft sculpture, activism and political resistance.
Doyle Wham is delighted to present the first worldwide solo exhibition of Umseme Uyakhuluma, an all-female artistic collective whose eponymous project is inspired by ancient forms of communication on the African continent. Umseme Uyakhuluma: A Celestial Conversation documents the journey of two women who answer a calling to perform a ritual enabling them to spiritually reconnect with the land and heal their bloodline. This calling first came to the artist Zana Masombuka (aka Ndebele Superhero) in a dream and led her to form the Umseme Uyakhuluma collective.
"When the art world as you knew it went one way, we went the other. Where elitism is the norm, we dared to deviate. Art isn’t confined to convention or rule, and how you enjoy it shouldn’t be either.
We’ve created something different, and we want you to experience it. We combine affordable and original artworks and 200 independent artists with immersive installations, performances, DJs – and a fully stocked bar.
Here, art is for everyone"
Between This Body and the World explores the space where identity, history, and materiality converge. Rooted in the deeply personal and transnational journey of the artist, this exhibition examines the body as both a vessel—literally, through the use of his body as a painting tool—and a threshold, mediating the constant negotiation between intimate personal histories and the larger forces of society, politics, and culture.
We are excited to invite you to the unveilig of Linda Kokkonen's latest collection, Oenanthe, at The Old Church in London. The collection evolves around the powerful themes of romanticism, Victorian butch aesthetics, and the mourning of nature's destruction.
Annabelle Agbo Godeau
What Have You Done with Her? (Part 2)
Opening Reception: 5 September, 6-8pm
6 September – 5 October, 2024
Alice Amati is delighted to announce the first UK solo exhibition by French artist Annabelle Agbo Godeau, opening with a private view on the 5th of September, and running until the 5th of October, 2024.
Y2K Styles!! Goats!! Paris Hilton!!!! All in the new zine called NECTARINE
Featuring two years' of photographs of Iris Owen by Rebecca Zephyr Thomas
Join for the launch on the 5th of September and celebrate with a refreshing can or two of G+T courtesy of Gordon's Gin
Since 2007, microblogging and social networking site Tumblr has provided young women with a platform to express their identity and emotional state through curated images, writings, and multimedia content. Curated by Henrietta Scrine, Soft Edge of the Blade delves into the intricate and often misunderstood world of internet-age girlhood, specifically focusing on the Tumblr Sad Girl aesthetic of the early 2010s.
Tumblr Sad Girl combined elements of vintage and retro imagery, pop culture references, and feminine, often ethereal visuals to create a unique narrative of modern girlhood. Soft Edge of the Blade highlights the artistic beauty of the Sad Girl while also emphasising its importance as a form of emotional expression and cultural critique. Each of the exhibiting artists captures the genre’s balance between vulnerability and resilience, exploring themes of melancholy, introspection, and emotional authenticity.
The sole pleasure is to discover unexpected results at the end of a rigorous analysis.
— Paul Valéry, Notebooks
Camden Art Centre is delighted to present a major institutional solo show by American artist and musician, Lonnie Holley (b.1950, Birmingham, Alabama).
In Staub (Störung), Karlson scrutinises what it would take to alienate an image from itself and extends this thought to understand whether we ourselves can similarly be alienated from ourselves and how this method could subvert systems of control. If the present signifies the real while the past signifies the unreal; then these works allow an observation of the real from the perspective of the unreal—or the present from the perspective of the past. By examining the detritus of the past in this way, Karlson searches for that which is repressed in the present and seeks to locate how to let this estrangement from reality to become a disordering force that could affect a structural logic from within.
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